What It’s Like Driving a Honda Ridgeline Baja Race Truck
80 mph in the dirt and sand is as exhilarating as it is comfortableEyes up. Look up the road at what's coming, not what's right in front of you. It's a fundamental driving lesson that applies as much to your commute as it does to the racetrack. It's easier said than done, especially when what's in front of you are 3-foot-deep craters you're hitting at 80-plus mph. Astonishingly less difficult is the second rule of driving the Honda Ridgeline Baja Race Truck and its competitors: Don't lift.
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From the sidelines and even the co-driver's seat, it seems like madness. The Ram 1500 Laramie 4x4 I drove out to the Honda Off-Road Racing Team's shakedown in the Mojave Desert would have to crawl down this "road" under 5 mph to keep from tearing the front end off. Even on the "smooth" sections, it would be hard to top 40 mph for fear of losing control or rattling the truck apart.
Even watching the Ridgeline Baja Race Truck leave the pit area at low speed makes you think going faster would be a bad idea. The truck bobs up and down over the whoops like aDeadliest Catchcrab boat in stormy seas. When it comes back at full race pace, though, it starts to make sense. With 2 to 3 feet of suspension travel, Baja trucks like Honda's Class 7 Ridgeline work best when they're bouncing across the tops of the bumps, not dropping down into them. The long-travel suspension allows the wheels to drop at least partway into the holes and pop back up again while the chassis and body float along mostly undisturbed. It almost looks as if the hand of God is holding the truck by the body and dragging the wheels along the uneven ground. Seeing how violently the suspension is moving up and down convinces you it ought to just explode at any minute, not do 800 miles of this nonsense in 26 hours (16 hours for the top-level Trophy Trucks).
It doesn't look any more sane from the right seat. Not constrained to focusing on what's ahead, you can't help but stare at the holes and humps you're about to hit. To any normal person, every one of them looks like the last thing you'll see before the crash. Every time, you think, "That one's gonna hurt," but then it doesn't. The holes and humps that look like they'll either shatter your spine or send the truck careening through the air like a cop car in a Hollywood thriller don't do either. Oh, you feel them, but it's more like hitting a freshly filled pothole on the freeway that hasn't been tamped down yet.
All I could do in the right seat was laugh at the absurdity of it. Indy 500 winner Alexander Rossi, who helped drive this truck to second in class last year, is pushing 90 mph according to the GPS tracker on my navigator's screen, and every moment of it feels like it could be the one where we stuff it. But we don't. Rossi is the coolest thing in this desert by at least 50 degrees, only lifting slightly when we get completely airborne to smooth out the landing. Within minutes, we're on a smoother section, and the GPS is cresting 115 mph.
Now it's my turn. Hard on the brake. The sequential automatic transmission will only go into gear when it's moving, so it's already in first when you start it up. Modulate the throttle, or you're just going to make rooster tails. It's got 550-ish horsepower, and it's rear-wheel drive. Shift to second with a hard pull on the shifter.
Picking up speed now; time to get serious. Look up the road, not at the whoops and holes in front of you. Look at those, and you'll wreck. Looking up the road keeps you from trying to correct your line through every single obstacle at the last second. The beauty of this suspension is your line doesn't have to be perfect or even close to it.
Keep your foot in it. It still sounds crazy, but ignore that. You can feel it; the truck works best when it's skipping over the terrain rather than digging into it. Slowing down actually makes it worse. Be gentle with the steering wheel, slow hands. The truck's going to move around under you, and that's OK. Don't try to correct everything the tail does—it'll stay behind you.



