Speed Without Power: Peter Brock’s Aerovault II Really Hauls
A great designer can do anything, including build a better car-hauling trailerGleaming in the soft afternoon light in Las Vegas, Peter Brock's sleek Aerovault II car-hauling trailer is clearly an object of high style, but it's also a brilliant design, both in terms of its function and its sturdy, lightweight (2,400-pound) structure. It's also an object lesson in how the style/design dichotomy discussed in our 30th anniversary issue can evolve in the life and work of a single person.
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Brock, 80 this year, has had a long and distinguished career, beginning at age 19 at GM Styling, where he worked purely as a stylist. His finest accomplishment there was certainly the original Sting Ray racing sports car body created for Styling Vice President Bill Mitchell on the "mule" chassis of the ill-fated CorvetteSS. As gorgeous as the Sting Ray was, in practice it was seriously un-aerodynamic, with a mediocre drag coefficient and a nasty tendency to lift the body off its wheels and the front wheels off the road at speed. Brock wanted a rising camber line, but Mitchell didn't. And what should prevail: the styling instincts of a veteran stylist—who was paying for the car—or the half-formed aerodynamic notions of a kid?
After leaving GM, Brock went to work for Carroll Shelby, but not in any design capacity. He really wanted to be a Cobra team driver, but was made chief instructor in Shelby's driving school instead. It was at Shelby American that his innate design capability came into play. Shelby didn't know Brock had ever been a professional car designer, so it was only with grudging acceptance (and against active opposition from most of the organization), that Brock conceived, championed, and honchoed the creation of the aerodynamic "Daytona" body that gave Shelby American the world GT championship, handily besting Enzo Ferrari, who immediately dropped out of factory sports car racing.
More impassioned by motorsports than design, Brock operated his own Datsun racing teams, from time to time turning out racing and sports car shapes on various platforms that could — and should — have led to series production but didn't. All the while, Brock was transforming himself from stylist to designer, adding in a bit of entrepreneurial commerce, selling parts, models, components, racing items, and his own skill as a writer-photographer specializing in off-road events.






